Characterization of immersive sound reinforcement systems for the performing arts
The evolution of live performance towards immersive sound technologies is underway, and it’s branching... View more
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Mathieu Delquignies posted an update in the group Characterization of immersive sound reinforcement systems for the performing arts 4 weeks ago
11 juin 2026 | Animateur : Frédéric Changenet
Système de Son Spatialisé
Il désigne l’ensemble technique (salle, algorithme, et surtout configuration d’enceintes) qui ambitionne de reproduire une scène sonore dont les les critères sont :
Sur cet aspect, on désigne l’ensemble des techniques et technologies incluant le type d’enceinte, le setup…
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Mathieu Delquignies posted an update in the group Characterization of immersive sound reinforcement systems for the performing arts 4 weeks ago
8 avril 2026 | Animateur : Frédéric Changenet
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Plateforme AES Connect validée : Utilisée pour échanges et collaboration, accessible à tous les membres AES mondialement.
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Dissociation des termes : « Immersif » pour l’expérience auditive, « systèmes de son spatialisé » pour la technologie.
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Critères des systèmes spatialisés : Localisation, stabilité et…
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Mathieu Delquignies posted an update in the group Characterization of immersive sound reinforcement systems for the performing arts 4 weeks ago
Réunion de lancement : 17 mars 2026 | Animateur : Frédéric Changenet
ÉTAT DES LIEUX ET PROPOSITION DE NOMENCLATURE
1. Introduction et enjeux de “friction”
Frédéric Changenet (FC) ouvre la séance en rappelant que ce groupe de travail est né d’une volonté collective de clarifier le paysage de l’audio immersif. Il donne immédiatement la parole à…
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Matthew Dougherty replied to the discussion The acoustics of micro-dome-studios in the forum WG on Characterization of Immersive Productions and Broadcasting Systems 8 weeks ago
Reply to The acoustics of micro-dome-studios
actually it is a hemisphere capping a cylinder with a 20 degree incline. I am having some CAD drawings made up, I can present blue prints.
as for the bar, I use it off hours, but there are other problems like a light rail system passing 50ft away and other downtown ambience. This prototype was built to study optical projection, but the…
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Antoine Hurtado replied to the discussion The acoustics of micro-dome-studios in the forum WG on Characterization of Immersive Productions and Broadcasting Systems 8 weeks ago
Reply to The acoustics of micro-dome-studios
Dear Matthew,
Thank you for your detailed message, and congratulations on what you’ve achieved so far.
At this point, the dome (which looks like a sphere to me) is built, and the internal volume is closed.
I shall start my reflection with what is mandatory: you need isolation from the rest of the bar. Here, you achieve it with the surface of…
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Matthew Dougherty posted an update in the group Characterization of immersive sound reinforcement systems for the performing arts 8 weeks ago
https://www.gensler.com/gri/immersive-industry-report-2025
“While rarely the core of a production, the use of traditional A/V elements – video, music/soundscapes, recorded or live spoken word – is common in experiences due to the audience’s familiary and ease of understanding. Especially useful for onboarding audiences or providing them with…
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Matthew Dougherty started the discussion The acoustics of micro-dome-studios in the forum WG on Characterization of Immersive Productions and Broadcasting Systems 8 weeks ago
The acoustics of micro-dome-studios
In Houston Texas, I built a 20ft dome studio as a prototype laboratory to explore 180/360/3D immersive filmmaking and cinema. https://my.matterport.com/show/?m=44tDXYZuvcJ
I get about 5000 people per month for the last 5 years, coming by hanging out to listen to their music, through their phone’s bluetooth, a rent tradeoff I have with the…
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