AES Connect | Characterization of immersive sound reinforcement systems for the performing arts | Activity https://connect.aes.org/groups/wg-on-characterization-of-immersive-productions-and-broadcasting-systems/ Activity feed for the group, Characterization of immersive sound reinforcement systems for the performing arts. Mon, 06 Jul 2026 09:31:00 -0500 https://buddypress.org/?v=2.14.4 en-US 30 hourly 2 d7d0df20ebcea86e40dec551c6727cba Matthew Dougherty replied to the discussion The acoustics of micro-dome-studios in the forum WG on Characterization of Immersive Productions and Broadcasting Systems https://connect.aes.org/groups/wg-on-characterization-of-immersive-productions-and-broadcasting-systems/forum/topic/the-acoustics-of-micro-dome-studios/#post-7515 Fri, 26 Jun 2026 18:08:18 -0500 Reply to The acoustics of micro-dome-studios

actually it is a hemisphere capping a cylinder with a 20 degree incline. I am having some CAD drawings made up, I can present blue prints.

as for the bar, I use it off hours, but there are other problems like a light rail system passing 50ft away and other downtown ambience. This prototype was built to study optical projection, but the…

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]]> afcf815229b29aaf7d756d718c9d5144 Antoine Hurtado replied to the discussion The acoustics of micro-dome-studios in the forum WG on Characterization of Immersive Productions and Broadcasting Systems https://connect.aes.org/groups/wg-on-characterization-of-immersive-productions-and-broadcasting-systems/forum/topic/the-acoustics-of-micro-dome-studios/#post-7511 Thu, 25 Jun 2026 09:54:48 -0500 Reply to The acoustics of micro-dome-studios

Dear Matthew,

Thank you for your detailed message, and congratulations on what you’ve achieved so far.

At this point, the dome (which looks like a sphere to me) is built, and the internal volume is closed.

I shall start my reflection with what is mandatory: you need isolation from the rest of the bar. Here, you achieve it with the surface of…

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]]> cdbb76062e4713cd1da8820dc2f99a91 Matthew Dougherty posted an update in the group Characterization of immersive sound reinforcement systems for the performing arts: https://connect.aes.org/news-feed/p/48966/ Thu, 25 Jun 2026 09:38:00 -0500 https://www.gensler.com/gri/immersive-industry-report-2025

“While rarely the core of a production, the use of traditional A/V elements – video, music/soundscapes, recorded or live spoken word – is common in experiences due to the audience’s familiary and ease of understanding. Especially useful for onboarding audiences or providing them with…

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]]> 0 181f71ec203f618a5ba4619e251203b3 Matthew Dougherty started the discussion The acoustics of micro-dome-studios in the forum WG on Characterization of Immersive Productions and Broadcasting Systems https://connect.aes.org/groups/wg-on-characterization-of-immersive-productions-and-broadcasting-systems/forum/topic/the-acoustics-of-micro-dome-studios/ Thu, 25 Jun 2026 03:33:33 -0500 The acoustics of micro-dome-studios

In Houston Texas, I built a 20ft dome studio as a prototype laboratory to explore 180/360/3D immersive filmmaking and cinema. https://my.matterport.com/show/?m=44tDXYZuvcJ

I get about 5000 people per month for the last 5 years, coming by hanging out to listen to their music, through their phone’s bluetooth, a rent tradeoff I have with the…

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]]> 0d7bbea7ac45d8abcda394dc01a6ce31 Matthew Dougherty joined the group Characterization of immersive sound reinforcement systems for the performing arts https://connect.aes.org/news-feed/p/48945/ Wed, 24 Jun 2026 15:59:07 -0500 1 f40d5106786e7553c926bcc7b0d6c4b6 Guillaume Lecreux posted an update in the group Characterization of immersive sound reinforcement systems for the performing arts: Hello everyone,Are there any ongoing discussions in this group? https://connect.aes.org/news-feed/p/48941/ Wed, 24 Jun 2026 14:09:07 -0500 Hello everyone,

Are there any ongoing discussions in this group?

]]> 0 193f5123661042999988bdf5a4cc9391 Guillaume Lecreux joined the group Characterization of immersive sound reinforcement systems for the performing arts https://connect.aes.org/news-feed/p/48939/ Wed, 24 Jun 2026 14:06:55 -0500 0 c5eb714213297b59fa692c8e0e1a92b8 Gary Gottlieb joined the group Characterization of immersive sound reinforcement systems for the performing arts https://connect.aes.org/news-feed/p/48535/ Thu, 04 Jun 2026 23:22:58 -0500 0 97968b4c4291aeb438e1a78c3beb5daf Bert Castillo joined the group Characterization of immersive sound reinforcement systems for the performing arts https://connect.aes.org/news-feed/p/48316/ Mon, 18 May 2026 23:19:47 -0500 0 099d8c2015771567660c0a953bf5beb6 Gary Gottlieb joined the group Characterization of immersive sound reinforcement systems for the performing arts https://connect.aes.org/news-feed/p/47886/ Wed, 22 Apr 2026 14:57:58 -0500 0 056f0110c055d41f9ed368f012cc8da8 Gael Martinet joined the group Characterization of immersive sound reinforcement systems for the performing arts https://connect.aes.org/news-feed/p/47691/ Wed, 08 Apr 2026 17:18:17 -0500 0 30b4e7d63c0be00797cc66c1be6de9e8 Frederic Changenet posted an update in the group Characterization of immersive sound reinforcement systems for the performing arts: Hello https://connect.aes.org/news-feed/p/47688/ Wed, 08 Apr 2026 15:45:42 -0500 Hello

]]> 1 8aff8c365367a51406f192ab909314ca Benoît Leteneur joined the group Characterization of immersive sound reinforcement systems for the performing arts https://connect.aes.org/news-feed/p/47687/ Wed, 08 Apr 2026 15:44:30 -0500 0 de4d11065617f8d9f0069e582240ea33 Hector Teyssier joined the group Characterization of immersive sound reinforcement systems for the performing arts https://connect.aes.org/news-feed/p/47686/ Wed, 08 Apr 2026 15:44:17 -0500 0 df47bc38fddf7fcf7ade8c4a458e976e Frederic Changenet changed the description of the group Characterization of immersive sound reinforcement systems for the performing arts from "" to "The evolution of live performance towards immersive sound technologies is underway, and it's branching out in many directions. The vocabulary used, the multitude of techniques and strategies deployed, are becoming increasingly difficult for industry professionals (technicians, stage managers, venue operators, and artists) to grasp. The aim of this working group is to clarify the various proposals and establish a common vocabulary." https://connect.aes.org/news-feed/p/47672/ Tue, 07 Apr 2026 15:18:28 -0500 0 202cd293560ba75a7b9143ce3593be1b Dr. Hunter Nico McKenzie joined the group Characterization of immersive sound reinforcement systems for the performing arts https://connect.aes.org/news-feed/p/47392/ Sat, 21 Mar 2026 00:53:04 -0500 0 192fa3dd74c9e3e68148e34b3617b7c4 Frederic Changenet changed the name of the group Characterization of immersive sound reinforcement systems for the performing arts from "WG on Characterization of Immersive Productions and Broadcasting Systems" to "Characterization of immersive sound reinforcement systems for the performing arts" https://connect.aes.org/news-feed/p/47387/ Fri, 20 Mar 2026 17:44:30 -0500 0 5f54e11bc2a05f65d62acece7488734a Antoine Hurtado joined the group Characterization of immersive sound reinforcement systems for the performing arts https://connect.aes.org/news-feed/p/47386/ Fri, 20 Mar 2026 17:42:36 -0500 0 bbc0017f6cb0257c8c473b5ff4fe721a Nicolás David Vanegas Moreno joined the group Characterization of immersive sound reinforcement systems for the performing arts https://connect.aes.org/news-feed/p/47066/ Mon, 02 Mar 2026 00:52:35 -0600 0 df796396905f2bc5787a14cd24a94443 Arnault Damien joined the group Characterization of immersive sound reinforcement systems for the performing arts https://connect.aes.org/news-feed/p/46990/ Fri, 20 Feb 2026 16:37:23 -0600 0 822e2f311c15ad7faa353aa18b7b1565 Rodrig De Sa posted an update in the group Characterization of immersive sound reinforcement systems for the performing arts: Hi all ! Hope you're doing well, and nice to meet those […] https://connect.aes.org/news-feed/p/46941/ Fri, 13 Feb 2026 16:04:20 -0600 Hi all !

Hope you’re doing well, and nice to meet those I don’t know ! I wanted to start this groups with some discussion ?

Don’t know the starting point of this discussion ?

With Terence Briand, Gael Martinet from Flux and 360Prod we start to write something as generic speaker implantation, to separate different types of immersive set-up,…

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]]> 0 0c9de0d04b53bfc9cddecd60b3e897c9 Rodrig De Sa joined the group Characterization of immersive sound reinforcement systems for the performing arts https://connect.aes.org/news-feed/p/46928/ Thu, 12 Feb 2026 16:44:21 -0600 0 7874ce87943a3b303183ec3ef2131343 Michael Zbyszyński joined the group Characterization of immersive sound reinforcement systems for the performing arts https://connect.aes.org/news-feed/p/46913/ Wed, 11 Feb 2026 15:32:05 -0600 0 6a984036e422319c73559854b7dc0045 Antoine Hurtado joined the group Characterization of immersive sound reinforcement systems for the performing arts https://connect.aes.org/news-feed/p/46808/ Tue, 27 Jan 2026 13:49:19 -0600 0 f4bba19fbb3f60ed8f27ff9e47baab53 Ulli joined the group Characterization of immersive sound reinforcement systems for the performing arts https://connect.aes.org/news-feed/p/46602/ Thu, 08 Jan 2026 07:30:18 -0600 0 0de356f7026b2aea30acb9f8f647154c Frederic Changenet joined the group Characterization of immersive sound reinforcement systems for the performing arts https://connect.aes.org/news-feed/p/46291/ Tue, 16 Dec 2025 14:36:27 -0600 0 d59fcd5e11e4ac9a9b7f0f06e0c352cd Mathieu Delquignies joined the group Characterization of immersive sound reinforcement systems for the performing arts https://connect.aes.org/news-feed/p/46290/ Tue, 16 Dec 2025 14:31:45 -0600 0