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<H1>[SC-04-08] Comments and Summary Further Comments on issues raised by Julius Newell by David Murphy</H1>
<B>philip newell</B>
<A HREF="mailto:sc-04-08%40standards.aes.org?Subject=Re%3A%20%5BSC-04-08%5D%20Comments%20and%20Summary%20Further%20Comments%20on%20issues%0A%20raised%20by%20Julius%20Newell%20by%20David%20Murphy&In-Reply-To=%3CCAEEhACkMZ%3DvAbCs%2BXHs9LWd4cA%3DAKhrKU1%3DfuQ6p98neM%3DKERA%40mail.gmail.com%3E" TITLE="[SC-04-08] Comments and Summary Further Comments on issues raised by Julius Newell by David Murphy">philiprnewell at gmail.com
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<I>Thu Jan 19 11:25:27 EST 2017</I>
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<PRE>And just to remind anybody in this group who is not involved with cinema
sound, the unique thing about it (other than the X-curve) is that cinemas
are about the only form of mass entertainment via loudspeakers where nobody
is controlling either the volume or the equalisation during the entire
performance.
Whatever film, whatever audience, whatever time of day and whatever
weather, the calibration must serve for all.
Best wishes,
Philip
On 19 January 2017 at 09:54, John Woodgate via SC-04-08 <
<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">sc-04-08 at standards.aes.org</A>> wrote:
><i> If we accept that we need to measure the direct sound, we can measure
</I>><i> that much
</I>><i> closer to the loudspeaker with a calibrated directional microphone to
</I>><i> reduce
</I>><i> reflections. By definition, the room does not affect the direct sound, but
</I>><i> of
</I>><i> course it is attenuated by distance.
</I>><i>
</I>><i> Having done that, we can then measure at the 2/3 point to see what
</I>><i> changed, and
</I>><i> perhaps why.
</I>><i>
</I>><i> Maybe this is over-simplified, but I'm not sure how.
</I>><i>
</I>><i> With best wishes DESIGN IT IN! OOO – Own Opinions Only
</I>><i> www.jmwa.demon.co.uk J M Woodgate and Associates Rayleigh England
</I>><i>
</I>><i> Sylvae in aeternum manent.
</I>><i>
</I>><i> -----Original Message-----
</I>><i> From: SC-04-08 [mailto:<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">sc-04-08-bounces at standards.aes.org</A>] On Behalf Of
</I>><i> david
</I>><i> murphy via SC-04-08
</I>><i> Sent: Thursday, January 19, 2017 12:39 AM
</I>><i> To: Brian McCarty <<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">bmccarty at coralseastudios.com</A>>; Working group on
</I>><i> Measurement
</I>><i> and equalization of sound systems in rooms <<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">sc-04-08 at standards.aes.org</A>>;
</I>><i> Joules
</I>><i> Newell <<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">joules at newellacousticengineering.com</A>>
</I>><i> Cc: Thomas Lagö <<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">thomaslagoqirra at gmail.com</A>>; Peter Mapp <
</I>><i> <A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">peter at petermapp.com</A>>;
</I>><i> Robinson, Charles Q <<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">cqr at dolby.com</A>>; Floyd Toole <<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">soundnwine at sbcglobal.net</A>
</I>><i> >;
</I>><i> <A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">rich at xfrm.com</A>
</I>><i> Subject: Re: [SC-04-08] Comments and Summary Further Comments on issues
</I>><i> raised
</I>><i> by Julius Newell by David Murphy
</I>><i>
</I>><i> Hi all,
</I>><i> SMPTE 2096-1
</I>><i>
</I>><i> I note Julius’s comments with interest. Certainly the length and shape of
</I>><i> the
</I>><i> window applied to the impulse response determines the shape of the low
</I>><i> frequency
</I>><i> response. To obtain a meaningful low frequency response the time window
</I>><i> needs to
</I>><i> be at least as long as a full cycle of the frequency concerned [Thomas, be
</I>><i> gentle with me :-)] and in many rooms that time length will include
</I>><i> reflections.
</I>><i> Trying to disentangle the room contribution by spatial averaging is
</I>><i> hopeful at
</I>><i> best.
</I>><i>
</I>><i> The real problem is that we are trying to measure the frequency response
</I>><i> of a
</I>><i> loudspeaker at the other end of the room (2/3 back) and we are on a hiding
</I>><i> to
</I>><i> nothing.
</I>><i>
</I>><i> If we accept the proposition that the direct sound from a loudspeaker has
</I>><i> the
</I>><i> most influence on how it is perceived, ie, the ear-brain can apprise the
</I>><i> sound
</I>><i> quality by ‘hearing through’ the effects of the room (concrete bunkers
</I>><i> excepted)
</I>><i> then we need to try to measure the direct sound from the loudspeaker and
</I>><i> work to
</I>><i> make that as smooth as possible. Certainly the decades of research by Floyd
</I>><i> Toole indicates that people can reliably distinguish small variations in
</I>><i> the
</I>><i> measured characteristics of the loudspeaker independently of the listening
</I>><i> room.
</I>><i> So, given the geometry of a typical cinema, and a spatial array of
</I>><i> microphones
</I>><i> around the 2/3 back region, there will be floor and ceiling reflections and
</I>><i> early side wall reflections. If we have a window of 20 msecs to measure
</I>><i> down to
</I>><i> 50Hz, these early reflections will be evident in the tail of the impulse
</I>><i> response, and create sum and difference variations in the frequency
</I>><i> response.
</I>><i> These will still be evident even with a spatial array of microphones
</I>><i> because the
</I>><i> array would be smaller than the wavelength of the low frequency. Typical
</I>><i> numbers
</I>><i> would be a 20 msec window to measure down to 50Hz, wavelength of which is
</I>><i> ~6.9
</I>><i> metres. A time window from first arrival to 20msecs later will include
</I>><i> several
</I>><i> reflections, making it very difficult to ‘see’ the actual response at low
</I>><i> frequencies.
</I>><i> In essence, to measure the frequency response of the loudspeaker you have
</I>><i> to be
</I>><i> closer to it than the natural boundaries of the room (floor, ceiling,
</I>><i> sidewalls), but far enough away that you comply with requirements for free
</I>><i> field
</I>><i> conditions. A working approximation is four times the largest dimension of
</I>><i> the
</I>><i> loudspeaker. Please refer to my earlier upload, showing a diagram of a
</I>><i> microphone on a tall stand positioned in front of the screen but several
</I>><i> metres
</I>><i> back.
</I>><i> Anyway, it will be interesting to see if SMPTE takes on board our comments.
</I>><i> Regards to all
</I>><i> David
</I>><i>
</I>><i>
</I>><i>
</I>><i>
</I>><i>
</I>><i>
</I>><i> David Murphy
</I>><i> Loudspeaker Design Engineer
</I>><i> Commercial Cinema
</I>><i>
</I>><i> Krix
</I>><i> 14 Chapman Road | Hackham SA 5163 | Australia
</I>><i> T +618 83843433 | F +618 83843419
</I>><i> Email: <A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">dmurphy at krix.com</A> | Web: www.krix.com
</I>><i>
</I>><i>
</I>><i>
</I>><i> DISCLAIMER:
</I>><i> This email and any files transmitted with it are confidential to the
</I>><i> intended
</I>><i> recipient and may be privileged. If you are not the intended recipient,
</I>><i> please
</I>><i> notify Krix immediately. Whilst we have used software to alert us to the
</I>><i> presence of computer viruses, we cannot guarantee that this email and any
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</I>><i> transmitted with it are free from them.
</I>><i> ________________________________________
</I>><i> From: SC-04-08 [<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">sc-04-08-bounces at standards.aes.org</A>] On Behalf Of Brian
</I>><i> McCarty
</I>><i> via SC-04-08 [<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">sc-04-08 at standards.aes.org</A>]
</I>><i> Sent: Tuesday, 17 January 2017 11:11 AM
</I>><i> To: Joules Newell; Worki...
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<H1>[SC-04-08] Comments and Summary Further Comments on issues raised by Julius Newell by David Murphy</H1>
<B>david murphy</B>
<A HREF="mailto:sc-04-08%40standards.aes.org?Subject=Re%3A%20%5BSC-04-08%5D%20Comments%20and%20Summary%20Further%20Comments%20on%20issues%0A%20raised%20by%20Julius%20Newell%20by%20David%20Murphy&In-Reply-To=%3CDC98EF6CF2F08F40AA5AA23B3509EDA982B8D68D9A%40KRIX-DC.Krix.local%3E" TITLE="[SC-04-08] Comments and Summary Further Comments on issues raised by Julius Newell by David Murphy">dmurphy at krix.com.au
</A><BR>
<I>Thu Jan 19 16:23:24 EST 2017</I>
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<PRE>Hi all,
in riposte to John Woodgate, in my experience the sound system calibration is usually done in a mad rush while they are filling the pop corn machines and people are waiting in the foyer of the brand new mullitplex. No pressure - ha! Everything takes longer and costs more - another version of Murphy's Law.
So the technicians are usually pushed for time - even setting out as many as 5 microphones takes too long, never mind moving them, etc.
Anyway, as Geoff Hill says, we've done our bit - over to SMPTE...
Good to read all the opinions
Warm regards
David
David Murphy
Loudspeaker Design Engineer
Commercial Cinema
Krix
14 Chapman Road | Hackham SA 5163 | Australia
T +618 83843433 | F +618 83843419
Email: <A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">dmurphy at krix.com</A> | Web: www.krix.com
DISCLAIMER:
This email and any files transmitted with it are confidential to the intended recipient and may be privileged. If you are not the intended recipient, please notify Krix immediately. Whilst we have used software to alert us to the presence of computer viruses, we cannot guarantee that this email and any files transmitted with it are free from them.
________________________________________
From: John Woodgate [<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">jmw1937 at btinternet.com</A>]
Sent: Thursday, 19 January 2017 7:24 PM
To: david murphy; 'Working group on Measurement and equalization of sound systems in rooms'; 'Brian McCarty'; 'Joules Newell'
Cc: 'Thomas Lagö'; 'Peter Mapp'; 'Robinson, Charles Q'; 'Floyd Toole'; <A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">rich at xfrm.com</A>
Subject: RE: [SC-04-08] Comments and Summary Further Comments on issues raised by Julius Newell by David Murphy
If we accept that we need to measure the direct sound, we can measure that much
closer to the loudspeaker with a calibrated directional microphone to reduce
reflections. By definition, the room does not affect the direct sound, but of
course it is attenuated by distance.
Having done that, we can then measure at the 2/3 point to see what changed, and
perhaps why.
Maybe this is over-simplified, but I'm not sure how.
With best wishes DESIGN IT IN! OOO – Own Opinions Only
www.jmwa.demon.co.uk J M Woodgate and Associates Rayleigh England
Sylvae in aeternum manent.
-----Original Message-----
From: SC-04-08 [mailto:<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">sc-04-08-bounces at standards.aes.org</A>] On Behalf Of david
murphy via SC-04-08
Sent: Thursday, January 19, 2017 12:39 AM
To: Brian McCarty <<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">bmccarty at coralseastudios.com</A>>; Working group on Measurement
and equalization of sound systems in rooms <<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">sc-04-08 at standards.aes.org</A>>; Joules
Newell <<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">joules at newellacousticengineering.com</A>>
Cc: Thomas Lagö <<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">thomaslagoqirra at gmail.com</A>>; Peter Mapp <<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">peter at petermapp.com</A>>;
Robinson, Charles Q <<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">cqr at dolby.com</A>>; Floyd Toole <<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">soundnwine at sbcglobal.net</A>>;
<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">rich at xfrm.com</A>
Subject: Re: [SC-04-08] Comments and Summary Further Comments on issues raised
by Julius Newell by David Murphy
Hi all,
SMPTE 2096-1
I note Julius’s comments with interest. Certainly the length and shape of the
window applied to the impulse response determines the shape of the low frequency
response. To obtain a meaningful low frequency response the time window needs to
be at least as long as a full cycle of the frequency concerned [Thomas, be
gentle with me :-)] and in many rooms that time length will include reflections.
Trying to disentangle the room contribution by spatial averaging is hopeful at
best.
The real problem is that we are trying to measure the frequency response of a
loudspeaker at the other end of the room (2/3 back) and we are on a hiding to
nothing.
If we accept the proposition that the direct sound from a loudspeaker has the
most influence on how it is perceived, ie, the ear-brain can apprise the sound
quality by ‘hearing through’ the effects of the room (concrete bunkers excepted)
then we need to try to measure the direct sound from the loudspeaker and work to
make that as smooth as possible. Certainly the decades of research by Floyd
Toole indicates that people can reliably distinguish small variations in the
measured characteristics of the loudspeaker independently of the listening room.
So, given the geometry of a typical cinema, and a spatial array of microphones
around the 2/3 back region, there will be floor and ceiling reflections and
early side wall reflections. If we have a window of 20 msecs to measure down to
50Hz, these early reflections will be evident in the tail of the impulse
response, and create sum and difference variations in the frequency response.
These will still be evident even with a spatial array of microphones because the
array would be smaller than the wavelength of the low frequency. Typical numbers
would be a 20 msec window to measure down to 50Hz, wavelength of which is ~6.9
metres. A time window from first arrival to 20msecs later will include several
reflections, making it very difficult to ‘see’ the actual response at low
frequencies.
In essence, to measure the frequency response of the loudspeaker you have to be
closer to it than the natural boundaries of the room (floor, ceiling,
sidewalls), but far enough away that you comply with requirements for free field
conditions. A working approximation is four times the largest dimension of the
loudspeaker. Please refer to my earlier upload, showing a diagram of a
microphone on a tall stand positioned in front of the screen but several metres
back.
Anyway, it will be interesting to see if SMPTE takes on board our comments.
Regards to all
David
David Murphy
Loudspeaker Design Engineer
Commercial Cinema
Krix
14 Chapman Road | Hackham SA 5163 | Australia
T +618 83843433 | F +618 83843419
Email: <A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">dmurphy at krix.com</A> | Web: www.krix.com
DISCLAIMER:
This email and any files transmitted with it are confidential to the intended
recipient and may be privileged. If you are not the intended recipient, please
notify Krix immediately. Whilst we have used software to alert us to the
presence of computer viruses, we cannot guarantee that this email and any files
transmitted with it are free from them.
________________________________________
From: SC-04-08 [<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">sc-04-08-bounces at standards.aes.org</A>] On Behalf Of Brian McCarty
via SC-04-08 [<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">sc-04-08 at standards.aes.org</A>]
Sent: Tuesday, 17 January 2017 11:11 AM
To: Joules Newell; Working group on Measurement and equalization of sound
systems in rooms
Cc: Thomas Lagö; Peter Mapp; Robinson, Charles Q; Floyd Toole; <A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">rich at xfrm.com</A>
Subject: Re: [SC-04-08] Comments and Summary
Joules; SC-04–08:
These are very cogent comments, Joules. I would opine that your experience
correlating the subjective results of room measurements with the measurements
themselves are second to none here.
With the deadline for comments back to the SMPTE approaching, I think we’ve
...
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<H1>[SC-04-08] Comments uploaded by David Murphy</H1>
<B>Richard Cabot</B>
<A HREF="mailto:sc-04-08%40standards.aes.org?Subject=Re%3A%20%5BSC-04-08%5D%20Comments%20uploaded%20by%20David%20Murphy&In-Reply-To=%3C106E01DC1F8C4C8AA091BA58DB84125F%40RCC%3E" TITLE="[SC-04-08] Comments uploaded by David Murphy">rich at xfrm.com
</A><BR>
<I>Fri Jan 20 04:23:38 EST 2017</I>
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<PRE>Thomas's document has been uploaded to the document repository as
x215-20170119-TLL-AES_FFT_Comments.pdf
It can be found at <A HREF="http://standards.aes.org/sc.cfm?ID=91">http://standards.aes.org/sc.cfm?ID=91</A>
Rich Cabot
AES Standards Secretary
-----Original Message-----
From: SC-04-08 [mailto:<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">sc-04-08-bounces at standards.aes.org</A>] On Behalf Of
Thomas Lago via SC-04-08
Sent: Sunday, January 15, 2017 12:12 AM
To: Joules Newell
Cc: Peter Mapp; Robinson, Charles Q; Charlie Hughes via SC-04-08
Subject: Re: [SC-04-08] Comments uploaded by David Murphy
Dear All,
Here comes an attempt to give some more info in regards to FFT, DFT, Gauss
etc. I am also covering windows in more detail. In the attached papers, I
have references to more info. Feel free to ask questions and I will try to
handle this as good as possible.
Best regards,
Dr. Thomas L. Lagö
Chief Scientist & Chairman
Cell Sweden: +46 708 357337
Cell USA: +1 479 571 0035
QirraSound Technologies Europe AB
Slagetorp 2, 57692 Sävsjö, Sweden
Manufacturing unit: QirraSound/VILAX, Tirupsvägen 9, 24593 Staffanstorp,
Sweden
<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">thomas.lago at qirrasound.com</A> <mailto:<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">thomas.lago at qirrasound.com</A>>
www.qirrasound.se <<A HREF="http://www.qirrasound.se/">http://www.qirrasound.se/</A>>
thomaslago.com <<A HREF="http://thomaslago.com/">http://thomaslago.com/</A>>
_______________________________________________
SC-04-08 mailing list
<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">SC-04-08 at standards.aes.org</A>
<<A HREF="http://standards.aes.org/sc.cfm?ID=91">http://standards.aes.org/sc.cfm?ID=91</A>>
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<H1>[SC-04-08] Comments uploaded by David Murphy</H1>
<B>Thomas Lagö</B>
<A HREF="mailto:sc-04-08%40standards.aes.org?Subject=Re%3A%20%5BSC-04-08%5D%20Comments%20uploaded%20by%20David%20Murphy&In-Reply-To=%3C01B1DDCA-FE48-493C-BF69-DD76F7565F5D%40msn.com%3E" TITLE="[SC-04-08] Comments uploaded by David Murphy">thomaslagoqirra at gmail.com
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<I>Fri Jan 20 04:28:05 EST 2017</I>
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<PRE>Thanks! I will send another document this weekend in regards to proper FRF measurements in rooms using FFT analysis.
><i> On 20 Jan 2017, at 10:23, Richard Cabot via SC-04-08 <<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">sc-04-08 at standards.aes.org</A>> wrote:
</I>><i>
</I>><i> Thomas's document has been uploaded to the document repository as
</I>><i> x215-20170119-TLL-AES_FFT_Comments.pdf
</I>><i>
</I>><i> It can be found at <A HREF="http://standards.aes.org/sc.cfm?ID=91">http://standards.aes.org/sc.cfm?ID=91</A> <<A HREF="http://standards.aes.org/sc.cfm?ID=91">http://standards.aes.org/sc.cfm?ID=91</A>>
</I>><i>
</I>><i> Rich Cabot
</I>><i> AES Standards Secretary
</I>><i>
</I>><i>
</I>><i> -----Original Message-----
</I>><i> From: SC-04-08 [mailto:<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">sc-04-08-bounces at standards.aes.org</A> <mailto:<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">sc-04-08-bounces at standards.aes.org</A>>] On Behalf Of
</I>><i> Thomas Lago via SC-04-08
</I>><i> Sent: Sunday, January 15, 2017 12:12 AM
</I>><i> To: Joules Newell
</I>><i> Cc: Peter Mapp; Robinson, Charles Q; Charlie Hughes via SC-04-08
</I>><i> Subject: Re: [SC-04-08] Comments uploaded by David Murphy
</I>><i>
</I>><i> Dear All,
</I>><i>
</I>><i> Here comes an attempt to give some more info in regards to FFT, DFT, Gauss
</I>><i> etc. I am also covering windows in more detail. In the attached papers, I
</I>><i> have references to more info. Feel free to ask questions and I will try to
</I>><i> handle this as good as possible.
</I>><i>
</I>><i> Best regards,
</I>><i> Dr. Thomas L. Lagö
</I>><i> Chief Scientist & Chairman
</I>><i> Cell Sweden: +46 708 357337
</I>><i> Cell USA: +1 479 571 0035
</I>><i>
</I>><i> QirraSound Technologies Europe AB
</I>><i> Slagetorp 2, 57692 Sävsjö, Sweden
</I>><i> Manufacturing unit: QirraSound/VILAX, Tirupsvägen 9, 24593 Staffanstorp,
</I>><i> Sweden
</I>><i> <A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">thomas.lago at qirrasound.com</A> <mailto:<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">thomas.lago at qirrasound.com</A>> <mailto:<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">thomas.lago at qirrasound.com</A> <mailto:<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">thomas.lago at qirrasound.com</A>>>
</I>><i> www.qirrasound.se <<A HREF="http://www.qirrasound.se/">http://www.qirrasound.se/</A>> <<A HREF="http://www.qirrasound.se/">http://www.qirrasound.se/</A> <<A HREF="http://www.qirrasound.se/">http://www.qirrasound.se/</A>>>
</I>><i> thomaslago.com <<A HREF="http://thomaslago.com/">http://thomaslago.com/</A>> <<A HREF="http://thomaslago.com/">http://thomaslago.com/</A> <<A HREF="http://thomaslago.com/">http://thomaslago.com/</A>>>
</I>><i>
</I>><i> _______________________________________________
</I>><i> SC-04-08 mailing list
</I>><i> <A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">SC-04-08 at standards.aes.org</A> <mailto:<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">SC-04-08 at standards.aes.org</A>>
</I>><i> <<A HREF="http://standards.aes.org/sc.cfm?ID=91">http://standards.aes.org/sc.cfm?ID=91</A> <<A HREF="http://standards.aes.org/sc.cfm?ID=91">http://standards.aes.org/sc.cfm?ID=91</A>>>
</I>><i>
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</I>><i> <<A HREF="http://standards.aes.org/sc.cfm?ID=91">http://standards.aes.org/sc.cfm?ID=91</A> <<A HREF="http://standards.aes.org/sc.cfm?ID=91">http://standards.aes.org/sc.cfm?ID=91</A>>>
</I>
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<H1>[SC-04-08] Comments uploaded by David Murphy</H1>
<B>John Woodgate</B>
<A HREF="mailto:sc-04-08%40standards.aes.org?Subject=Re%3A%20%5BSC-04-08%5D%20Comments%20uploaded%20by%20David%20Murphy&In-Reply-To=%3C042e01d27301%241b76fcb0%245264f610%24%40btinternet.com%3E" TITLE="[SC-04-08] Comments uploaded by David Murphy">jmw1937 at btinternet.com
</A><BR>
<I>Fri Jan 20 04:39:33 EST 2017</I>
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<PRE>I'm locked out. My password was rejected, so I went through the process of
setting a new one. That is rejected as well.
This changeover has been very badly managed indeed. Why were we not forewarned?
Why aren't we give the option of seeing our password entry in clear instead of
those damned dots? Most sensible web sites allow this.
With best wishes DESIGN IT IN! OOO – Own Opinions Only
www.jmwa.demon.co.uk J M Woodgate and Associates Rayleigh England
Sylvae in aeternum manent.
-----Original Message-----
From: SC-04-08 [mailto:<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">sc-04-08-bounces at standards.aes.org</A>] On Behalf Of Richard
Cabot via SC-04-08
Sent: Friday, January 20, 2017 9:24 AM
To: 'Working group on Measurement and equalization of sound systems inrooms'
<<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">sc-04-08 at standards.aes.org</A>>
Subject: Re: [SC-04-08] Comments uploaded by David Murphy
Thomas's document has been uploaded to the document repository as
x215-20170119-TLL-AES_FFT_Comments.pdf
It can be found at <A HREF="http://standards.aes.org/sc.cfm?ID=91">http://standards.aes.org/sc.cfm?ID=91</A>
Rich Cabot
AES Standards Secretary
-----Original Message-----
From: SC-04-08 [mailto:<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">sc-04-08-bounces at standards.aes.org</A>] On Behalf Of
Thomas Lago via SC-04-08
Sent: Sunday, January 15, 2017 12:12 AM
To: Joules Newell
Cc: Peter Mapp; Robinson, Charles Q; Charlie Hughes via SC-04-08
Subject: Re: [SC-04-08] Comments uploaded by David Murphy
Dear All,
Here comes an attempt to give some more info in regards to FFT, DFT, Gauss
etc. I am also covering windows in more detail. In the attached papers, I
have references to more info. Feel free to ask questions and I will try to
handle this as good as possible.
Best regards,
Dr. Thomas L. Lagö
Chief Scientist & Chairman
Cell Sweden: +46 708 357337
Cell USA: +1 479 571 0035
QirraSound Technologies Europe AB
Slagetorp 2, 57692 Sävsjö, Sweden
Manufacturing unit: QirraSound/VILAX, Tirupsvägen 9, 24593 Staffanstorp,
Sweden
<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">thomas.lago at qirrasound.com</A> <mailto:<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">thomas.lago at qirrasound.com</A>>
www.qirrasound.se <<A HREF="http://www.qirrasound.se/">http://www.qirrasound.se/</A>>
thomaslago.com <<A HREF="http://thomaslago.com/">http://thomaslago.com/</A>>
_______________________________________________
SC-04-08 mailing list
<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">SC-04-08 at standards.aes.org</A>
<<A HREF="http://standards.aes.org/sc.cfm?ID=91">http://standards.aes.org/sc.cfm?ID=91</A>>
_______________________________________________
SC-04-08 mailing list
<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">SC-04-08 at standards.aes.org</A>
<<A HREF="http://standards.aes.org/sc.cfm?ID=91">http://standards.aes.org/sc.cfm?ID=91</A>>
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<H1>[SC-04-08] Comments uploaded by David Murphy</H1>
<B>philip newell</B>
<A HREF="mailto:sc-04-08%40standards.aes.org?Subject=Re%3A%20%5BSC-04-08%5D%20Comments%20uploaded%20by%20David%20Murphy&In-Reply-To=%3CCAEEhACnuJEn_ivn3Jq8qHhbkFy_FJx_yY3rozsGsUtJU_eqmUA%40mail.gmail.com%3E" TITLE="[SC-04-08] Comments uploaded by David Murphy">philiprnewell at gmail.com
</A><BR>
<I>Fri Jan 20 05:09:33 EST 2017</I>
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<PRE>As I mentioned last week, I have also been locked out for a couple of
weeks.
I wrote to the Webmaster but he can't help.
Some people have suggested that perhaps I don't have a new-enough version
of Windows for the new website (which they are up-dating).
Philip
On 20 January 2017 at 10:39, John Woodgate via SC-04-08 <
<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">sc-04-08 at standards.aes.org</A>> wrote:
><i> I'm locked out. My password was rejected, so I went through the process of
</I>><i> setting a new one. That is rejected as well.
</I>><i>
</I>><i> This changeover has been very badly managed indeed. Why were we not
</I>><i> forewarned?
</I>><i> Why aren't we give the option of seeing our password entry in clear
</I>><i> instead of
</I>><i> those damned dots? Most sensible web sites allow this.
</I>><i>
</I>><i> With best wishes DESIGN IT IN! OOO – Own Opinions Only
</I>><i> www.jmwa.demon.co.uk J M Woodgate and Associates Rayleigh England
</I>><i>
</I>><i> Sylvae in aeternum manent.
</I>><i>
</I>><i>
</I>><i> -----Original Message-----
</I>><i> From: SC-04-08 [mailto:<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">sc-04-08-bounces at standards.aes.org</A>] On Behalf Of
</I>><i> Richard
</I>><i> Cabot via SC-04-08
</I>><i> Sent: Friday, January 20, 2017 9:24 AM
</I>><i> To: 'Working group on Measurement and equalization of sound systems
</I>><i> inrooms'
</I>><i> <<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">sc-04-08 at standards.aes.org</A>>
</I>><i> Subject: Re: [SC-04-08] Comments uploaded by David Murphy
</I>><i>
</I>><i> Thomas's document has been uploaded to the document repository as
</I>><i> x215-20170119-TLL-AES_FFT_Comments.pdf
</I>><i>
</I>><i> It can be found at <A HREF="http://standards.aes.org/sc.cfm?ID=91">http://standards.aes.org/sc.cfm?ID=91</A>
</I>><i>
</I>><i> Rich Cabot
</I>><i> AES Standards Secretary
</I>><i>
</I>><i>
</I>><i> -----Original Message-----
</I>><i> From: SC-04-08 [mailto:<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">sc-04-08-bounces at standards.aes.org</A>] On Behalf Of
</I>><i> Thomas Lago via SC-04-08
</I>><i> Sent: Sunday, January 15, 2017 12:12 AM
</I>><i> To: Joules Newell
</I>><i> Cc: Peter Mapp; Robinson, Charles Q; Charlie Hughes via SC-04-08
</I>><i> Subject: Re: [SC-04-08] Comments uploaded by David Murphy
</I>><i>
</I>><i> Dear All,
</I>><i>
</I>><i> Here comes an attempt to give some more info in regards to FFT, DFT, Gauss
</I>><i> etc. I am also covering windows in more detail. In the attached papers, I
</I>><i> have references to more info. Feel free to ask questions and I will try to
</I>><i> handle this as good as possible.
</I>><i>
</I>><i> Best regards,
</I>><i> Dr. Thomas L. Lagö
</I>><i> Chief Scientist & Chairman
</I>><i> Cell Sweden: +46 708 357337
</I>><i> Cell USA: +1 479 571 0035
</I>><i>
</I>><i> QirraSound Technologies Europe AB
</I>><i> Slagetorp 2, 57692 Sävsjö, Sweden
</I>><i> Manufacturing unit: QirraSound/VILAX, Tirupsvägen 9, 24593 Staffanstorp,
</I>><i> Sweden
</I>><i> <A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">thomas.lago at qirrasound.com</A> <mailto:<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">thomas.lago at qirrasound.com</A>>
</I>><i> www.qirrasound.se <<A HREF="http://www.qirrasound.se/">http://www.qirrasound.se/</A>>
</I>><i> thomaslago.com <<A HREF="http://thomaslago.com/">http://thomaslago.com/</A>>
</I>><i>
</I>><i> _______________________________________________
</I>><i> SC-04-08 mailing list
</I>><i> <A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">SC-04-08 at standards.aes.org</A>
</I>><i> <<A HREF="http://standards.aes.org/sc.cfm?ID=91">http://standards.aes.org/sc.cfm?ID=91</A>>
</I>><i>
</I>><i> _______________________________________________
</I>><i> SC-04-08 mailing list
</I>><i> <A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">SC-04-08 at standards.aes.org</A>
</I>><i> <<A HREF="http://standards.aes.org/sc.cfm?ID=91">http://standards.aes.org/sc.cfm?ID=91</A>>
</I>><i>
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</I>><i>
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<TITLE> [SC-04-08] Moving mic again
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<H1>[SC-04-08] Moving mic again</H1>
<B>Jean-Luc Ohl</B>
<A HREF="mailto:sc-04-08%40standards.aes.org?Subject=Re%3A%20%5BSC-04-08%5D%20Moving%20mic%20again&In-Reply-To=%3C0820b7d5-9c15-675a-2a27-aa524aa7ce6d%40ohl.to%3E" TITLE="[SC-04-08] Moving mic again">jl at ohl.to
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<I>Fri Jan 20 05:19:44 EST 2017</I>
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<PRE>Dear all,
"in my experience the sound system calibration is usually done in a mad rush"
I already proposed last year to check the manual scaning method (moving microphone) and I insist because :
- it takes less time
- it will be adopted by some acoustics standards (ISO,...) because of accuracy and reliability
- it costs less : only one mic and preamp, and only one calibration to pay every year
Please read the papers I just <A HREF="//secure.aes.org/standards/documents/?ID=91&file=%2Fmoving%2Dmic%2Ezip&filesize=14880118">uploadedhttps://secure.aes.org/standards/documents/?ID=91&file=%2Fmoving%2Dmic%2Ezip&filesize=14880118</A>
It is not a power response measurement, the obtained curves are near Predicted In Room (see Olive and Toole).
It does not give IR nor phase but the amplitude curve is the most important one especially if you are in a rush !
There is no commercial software optimised yet for this method, but it is very easy to use :
record the 20 or 30 seconds of pink noise played while you move the mic and use an averaging analyser
Cheers
Jean-Luc
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<H1>[SC-04-08] Comments uploaded by David Murphy</H1>
<B>John Woodgate</B>
<A HREF="mailto:sc-04-08%40standards.aes.org?Subject=Re%3A%20%5BSC-04-08%5D%20Comments%20uploaded%20by%20David%20Murphy&In-Reply-To=%3C045f01d27309%24fbe933f0%24f3bb9bd0%24%40btinternet.com%3E" TITLE="[SC-04-08] Comments uploaded by David Murphy">jmw1937 at btinternet.com
</A><BR>
<I>Fri Jan 20 05:43:06 EST 2017</I>
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<PRE>I now can log in. The new system allocated me a different email address from the
one I used to log in previously.
I am puzzled by this sentence in Prof. Lagõ's document:
The block length must be 2^N and that is not the case for the FFT.
Should that last be 'DFT'?
With best wishes DESIGN IT IN! OOO – Own Opinions Only
www.jmwa.demon.co.uk J M Woodgate and Associates Rayleigh England
Sylvae in aeternum manent.
-----Original Message-----
From: SC-04-08 [mailto:<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">sc-04-08-bounces at standards.aes.org</A>] On Behalf Of Richard
Cabot via SC-04-08
Sent: Friday, January 20, 2017 9:24 AM
To: 'Working group on Measurement and equalization of sound systems inrooms'
<<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">sc-04-08 at standards.aes.org</A>>
Subject: Re: [SC-04-08] Comments uploaded by David Murphy
Thomas's document has been uploaded to the document repository as
x215-20170119-TLL-AES_FFT_Comments.pdf
It can be found at <A HREF="http://standards.aes.org/sc.cfm?ID=91">http://standards.aes.org/sc.cfm?ID=91</A>
Rich Cabot
AES Standards Secretary
-----Original Message-----
From: SC-04-08 [mailto:<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">sc-04-08-bounces at standards.aes.org</A>] On Behalf Of
Thomas Lago via SC-04-08
Sent: Sunday, January 15, 2017 12:12 AM
To: Joules Newell
Cc: Peter Mapp; Robinson, Charles Q; Charlie Hughes via SC-04-08
Subject: Re: [SC-04-08] Comments uploaded by David Murphy
Dear All,
Here comes an attempt to give some more info in regards to FFT, DFT, Gauss
etc. I am also covering windows in more detail. In the attached papers, I
have references to more info. Feel free to ask questions and I will try to
handle this as good as possible.
Best regards,
Dr. Thomas L. Lagö
Chief Scientist & Chairman
Cell Sweden: +46 708 357337
Cell USA: +1 479 571 0035
QirraSound Technologies Europe AB
Slagetorp 2, 57692 Sävsjö, Sweden
Manufacturing unit: QirraSound/VILAX, Tirupsvägen 9, 24593 Staffanstorp,
Sweden
<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">thomas.lago at qirrasound.com</A> <mailto:<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">thomas.lago at qirrasound.com</A>>
www.qirrasound.se <<A HREF="http://www.qirrasound.se/">http://www.qirrasound.se/</A>>
thomaslago.com <<A HREF="http://thomaslago.com/">http://thomaslago.com/</A>>
_______________________________________________
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<H1>[SC-04-08] Moving mic again</H1>
<B>david murphy</B>
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<I>Fri Jan 20 06:49:03 EST 2017</I>
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<PRE>HI all,
I can see a bit of confusion here!
When John Woodgate said moving microphone I took that to mean that the microphone was placed in a position near the source (screen) and measurements taken at that position in space. Then it was moved to the 2/3 back position (time consuming) and other measurements were taken at that position ie, microphone also didn't 'move'.
I didn't intend using a continuous signal and moving while measuring, with the test system presumably making repeated measurements ie periodically sampling the frequency response. I have encountered the technique before, and I s'pose it could give reasonably consistent results. I speed read one of the papers in the zipped upload, in which there was some diagrams showing a humanoid waving the microphone at arms length, and also waving it around on a short stick.
An interesting concept for cinemas. I wonder how big a stick you would need in order to get consistent results for the LFE, especially in the 30Hz region, wavelength ~11.5 metres, ~37.5 feet. To avoid a null I would think you would have to move over a range of at least 1/2 wavelength.
Anyway, the deadline time is fast approaching. I hope Mark and Richard can suitably condense our AES comments and send them to SMPTE before their deadline.
It seems to me there are two issues:
1) what technology /techniques you need in order to adjust to a consistent frequency response across a wide range of cinema (room) sizes and shapes and 'reverberation' times.
2) what is the desired target frequency response - the X Curve, a modification thereof, a simple 'flat' response, or a gradually shelving response from lower frequencies to higher frequencies, as suggested by Floyd Toole.
regards and thanks
David
David Murphy
Loudspeaker Design Engineer
Commercial Cinema
Krix
14 Chapman Road | Hackham SA 5163 | Australia
T +618 83843433 | F +618 83843419
Email: <A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">dmurphy at krix.com</A> | Web: www.krix.com
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This email and any files transmitted with it are confidential to the intended recipient and may be privileged. If you are not the intended recipient, please notify Krix immediately. Whilst we have used software to alert us to the presence of computer viruses, we cannot guarantee that this email and any files transmitted with it are free from them.
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From: SC-04-08 [<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">sc-04-08-bounces at standards.aes.org</A>] On Behalf Of Jean-Luc Ohl via SC-04-08 [<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">sc-04-08 at standards.aes.org</A>]
Sent: Friday, 20 January 2017 8:49 PM
To: Working group on Measurement and equalization of sound systems in rooms
Subject: [SC-04-08] Moving mic again
Dear all,
"in my experience the sound system calibration is usually done in a mad rush"
I already proposed last year to check the manual scaning method (moving microphone) and I insist because :
- it takes less time
- it will be adopted by some acoustics standards (ISO,...) because of accuracy and reliability
- it costs less : only one mic and preamp, and only one calibration to pay every year
Please read the papers I just <A HREF="//secure.aes.org/standards/documents/?ID=91&file=%2Fmoving%2Dmic%2Ezip&filesize=14880118">uploadedhttps://secure.aes.org/standards/documents/?ID=91&file=%2Fmoving%2Dmic%2Ezip&filesize=14880118</A>
It is not a power response measurement, the obtained curves are near Predicted In Room (see Olive and Toole).
It does not give IR nor phase but the amplitude curve is the most important one especially if you are in a rush !
There is no commercial software optimised yet for this method, but it is very easy to use :
record the 20 or 30 seconds of pink noise played while you move the mic and use an averaging analyser
Cheers
Jean-Luc
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<H1>[SC-04-08] Moving mic again</H1>
<B>Ram@rns.co.in</B>
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<I>Fri Jan 20 08:31:21 EST 2017</I>
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<PRE>Hi All,
When the microphone is moved from front to back we normally encounter
anomalies in the LF region caused by floor dips and boundary encounters. In
the Mid and High frequency crossover region, in most cases there will be
dips caused by displaced drivers. IMHO non of this can be solved by
averaging.
As far as Mid and High frequencies are concerned, say from 1kHz to 20kHz it
may be preferable to measure the direct arrival in the prime position
usually 2/3 and equalize and correct signal arrival times for the best
results. On the left and right sides(off axis) of the cinema the frequency
response anomalies in the Mid-High section arises due to directivity
problems. This again may not be made better by averaging and equalization.
Precise loudspeaker polar data helps.
LF sections are mostly flat from 30Hz to 125Hz when close miked. All the
problems start with the room interaction. Here averaging and equalizing and
balancing with Mid-High section has been a exercise in trial and error in
most cases. Experience counts.
I would look forward to experts comments on the above.
Thanks and regards,
Ram
-----Original Message-----
From: david murphy via SC-04-08
Sent: Friday, January 20, 2017 5:19 PM
To: Jean-Luc Ohl ; Working group on Measurement and equalization ofsound
systems in rooms
Subject: Re: [SC-04-08] Moving mic again
HI all,
I can see a bit of confusion here!
When John Woodgate said moving microphone I took that to mean that the
microphone was placed in a position near the source (screen) and
measurements taken at that position in space. Then it was moved to the 2/3
back position (time consuming) and other measurements were taken at that
position ie, microphone also didn't 'move'.
I didn't intend using a continuous signal and moving while measuring, with
the test system presumably making repeated measurements ie periodically
sampling the frequency response. I have encountered the technique before,
and I s'pose it could give reasonably consistent results. I speed read one
of the papers in the zipped upload, in which there was some diagrams showing
a humanoid waving the microphone at arms length, and also waving it around
on a short stick.
An interesting concept for cinemas. I wonder how big a stick you would need
in order to get consistent results for the LFE, especially in the 30Hz
region, wavelength ~11.5 metres, ~37.5 feet. To avoid a null I would think
you would have to move over a range of at least 1/2 wavelength.
Anyway, the deadline time is fast approaching. I hope Mark and Richard can
suitably condense our AES comments and send them to SMPTE before their
deadline.
It seems to me there are two issues:
1) what technology /techniques you need in order to adjust to a consistent
frequency response across a wide range of cinema (room) sizes and shapes and
'reverberation' times.
2) what is the desired target frequency response - the X Curve, a
modification thereof, a simple 'flat' response, or a gradually shelving
response from lower frequencies to higher frequencies, as suggested by Floyd
Toole.
regards and thanks
David
David Murphy
Loudspeaker Design Engineer
Commercial Cinema
Krix
14 Chapman Road | Hackham SA 5163 | Australia
T +618 83843433 | F +618 83843419
Email: <A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">dmurphy at krix.com</A> | Web: www.krix.com
DISCLAIMER:
This email and any files transmitted with it are confidential to the
intended recipient and may be privileged. If you are not the intended
recipient, please notify Krix immediately. Whilst we have used software to
alert us to the presence of computer viruses, we cannot guarantee that this
email and any files transmitted with it are free from them.
________________________________________
From: SC-04-08 [<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">sc-04-08-bounces at standards.aes.org</A>] On Behalf Of Jean-Luc
Ohl via SC-04-08 [<A HREF="https://secure.aes.org/mailman/listinfo/sc-04-08">sc-04-08 at standards.aes.org</A>]
Sent: Friday, 20 January 2017 8:49 PM
To: Working group on Measurement and equalization of sound systems in rooms
Subject: [SC-04-08] Moving mic again
Dear all,
"in my experience the sound system calibration is usually done in a mad
rush"
I already proposed last year to check the manual scaning method (moving
microphone) and I insist because :
- it takes less time
- it will be adopted by some acoustics standards (ISO,...) because of
accuracy and reliability
- it costs less : only one mic and preamp, and only one calibration to pay
every year
Please read the papers I just
<A HREF="//secure.aes.org/standards/documents/?ID=91&file=%2Fmoving%2Dmic%2Ezip&filesize=14880118">uploadedhttps://secure.aes.org/standards/documents/?ID=91&file=%2Fmoving%2Dmic%2Ezip&filesize=14880118</A>
It is not a power response measurement, the obtained curves are near
Predicted In Room (see Olive and Toole).
It does not give IR nor phase but the amplitude curve is the most important
one especially if you are in a rush !
There is no commercial software optimised yet for this method, but it is
very easy to use :
record the 20 or 30 seconds of pink noise played while you move the mic and
use an averaging analyser
Cheers
Jean-Luc
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